Thursday, February 6, 2014

Sculpture of man in underwear turning some heads on Wellesley College campus

A statue of a man sleepwalking in his underpants is surrounded by snow on the campus of Wellesley College, in Wellesley, Mass., Wednesday, Feb. 5, 2014. The sculpture entitled "Sleepwalker" is part of an exhibit by sculptor Tony Matelli at the college's Davis Museum.   AP PHOTO/STEVEN SENNE
The Davis Museum at Wellesley College put a Tony Matelli sculpture called Sleepwalker on display by the side of the road, reports CBS Boston.
Matelli’s Sleepwalker depicts a man deep in sleep, wandering in only his underwear.
The statue, which is part of a Matelli exhibit at the all-women college’s museum, was placed in public view in order to raise interest and provoke discussion.
It has certainly provoked a discussion on the museum’s Facebook page, with some people expressing amusement and others calling for it to be removed. 
Sleepwalker by Tony Matelli
 There’s actually an online student petition to have it removed. The petition started by junior Zoe Magid called on President H. Kim Bottomly to have the artwork removed.
The sculpture is a “source of apprehension, fear, and triggering thoughts regarding sexual assault” for many, according to the petition, which had nearly 300 signees on Wednesday.
But the president of the prestigious women’s school says that’s all part of the intellectual process. And removing it appeared unlikely, according to a joint statement issued Wednesday by Bottomly and museum Director Lisa Fischman.
“The very best works of art have the power to stimulate deeply personal emotions and to provoke unexpected new ideas, and this sculpture is no exception,” the statement said. The sculpture “has started an impassioned conversation about art, gender, sexuality and individual experience, both on campus and on social media.”
The sculpture was placed outdoors specifically to get a reaction and to connect the indoor exhibition with the world beyond, Fischman said.
“I love the idea of art escaping the museum and muddling the line between what we expect to be inside (art) and what we expect to be outside (life),” she wrote.